{"id":11826,"date":"2025-07-17T13:24:00","date_gmt":"2025-07-17T12:24:00","guid":{"rendered":"https:\/\/www.asenso.fr\/projet\/gustave-fayet-1865-1925\/"},"modified":"2025-12-21T16:15:48","modified_gmt":"2025-12-21T15:15:48","slug":"gustave-fayet-1865-1925","status":"publish","type":"project","link":"https:\/\/www.asenso.fr\/en\/project\/gustave-fayet-1865-1925\/","title":{"rendered":"Parcours Itin\u00e9rance"},"content":{"rendered":"

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Gustave Fayet, 1865-1925
Exhibition catalog<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_5,2_5″ _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”0px|auto|1px|auto|false|false” global_colors_info=”{}” custom_padding=”||50px|||”][et_pb_column type=”3_5″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font=”Maax Standard||||||||” text_font_size=”21px” text_line_height=”1.4em” width=”100%” global_colors_info=”{}”]<\/p>\n

As part of the major exhibition Gustave Fayet un artiste en sa demeure, au phalanst\u00e8re des r\u00eaves<\/em> presented between 2015 and 2016 at the Mus\u00e9e des Beaux-Arts H\u00f4tel Fayet, B\u00e9ziers town council felt the need to obtain an archiving, presentation and research tool<\/p>\n

It’s against this backdrop that we’ve designed the exhibition catalog, which relates these two exhibitions and provides an insight into the complex role of Gustave Fayet, heir to a long dynasty, entrepreneur, winegrower, painter, patron, collector, artist and creator of a body of work comprising over two thousand pieces.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px|0px|false|false” custom_css_free_form=”td {|| vertical-align: top;||}” global_colors_info=”{}”]<\/p>\n\n\n\n\n\n\n\n
Client<\/span><\/td>\nMus\u00e9e de B\u00e9ziers,
H\u00f4tel Fayet<\/td>\n<\/tr>\n
Sector<\/span><\/td>\nArt book<\/td>\n<\/tr>\n
Discipline<\/span><\/td>\nEditorial design<\/td>\n<\/tr>\n
Typography<\/span><\/td>\nPlantin<\/em> de Frank Hinman Pierpont<\/td>\n<\/tr>\n
Printer<\/span><\/td>\nImprimerie Mathieu,
B\u00e9ziers<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||false|false” border_color_all=”RGBA(255,255,255,0)” border_width_bottom=”50px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.asenso.fr\/wp-content\/uploads\/2025\/07\/SiteWeb-Gabarit-Faye1865-19253.jpg” alt=”Parcours Itin\u00e9rance” title_text=”Cover – Gustave Fayet (1865 – 1925)” show_bottom_space=”off” _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”50px|||||” custom_padding=”0px|||||” global_colors_info=”{}”][\/et_pb_image][et_pb_image src=”https:\/\/www.asenso.fr\/wp-content\/uploads\/2025\/07\/SiteWeb-Gabarit-Faye1865-19254.jpg” alt=”Parcours Itin\u00e9rance” title_text=”Two parts of the exhibition” show_bottom_space=”off” _builder_version=”4.27.4″ _module_preset=”default” 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src=”https:\/\/www.asenso.fr\/wp-content\/uploads\/2025\/07\/SiteWeb-Gabarit-Faye1865-19256.jpg” title_text=”Corridor of the Fontfroide kitchen by Gustave Fayet” _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”0px|||0px|false|false” custom_padding=”|||0px|false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||false|false” border_color_all=”RGBA(255,255,255,0)” border_width_bottom=”50px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.asenso.fr\/wp-content\/uploads\/2025\/07\/SiteWeb-Gabarit-Faye1865-19257.jpg” alt=”Parcours Itin\u00e9rance” title_text=”Maquette – Gustave Fayet (1865 – 1925)” show_bottom_space=”off” _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”50px|||||” custom_padding=”0px|||||” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”0px|auto|0px|auto|true|false” custom_padding=”0px|0px|0px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.asenso.fr\/wp-content\/uploads\/2025\/07\/SiteWeb-Gabarit-Faye1865-19258-2.jpg” title_text=”Typography – Plantin” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.asenso.fr\/wp-content\/uploads\/2025\/07\/SiteWeb-Gabarit-Faye1865-19259.jpg” title_text=”Self-portrait by Gustave Fayet” _builder_version=”4.27.4″ _module_preset=”default” 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custom_padding=”1px||49px|||” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Gustave Fayet, an artist in his own home (1865 to 1904)<\/h1>\n

 <\/p>\n

This first exhibition, which ran from September 19 to December 31, 2015, highlights Gustave Fayet as a Biterroise figure. It examines the way in which he assumed his role as a collector and patron of the arts in his city. Through texts and iconography, the catalog reveals his open mind, his sensitive eye, the diversity of his works and his artistic experience ranging from Impressionism to Synthetism. <\/p>\n

The exhibition catalog has a square format and a glued square-back binding, designed to make it easier to hold, handle and distribute in bookshops.<\/p>\n

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Gustave Fayet at the Dream Phalanstery (1908 to 1925)<\/h1>\n

 <\/p>\n

It was during this period that Gustave Fayet’s work underwent a real turning point. Portraits gradually gave way to landscapes and his approach to architecture, as evidenced by his depiction of Fontfroide Abbey. With his pronounced taste for color, Fayet sublimates reality to create dreamlike visions. His deep connection with nature becomes the driving force behind his artistic creation. This can be seen in his watercolors on paper or blotting paper, his floral motifs for carpets or decors, and his illustrations for collections of poems. <\/p>\n

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Genesis of an editorial series<\/h1>\n

 <\/p>\n

This catalog covers a broad period of Gustave Fayet’s artistic life, and is the first in a series that we will begin publishing a few years later. This collection of exhibition catalogs aims to explore the work of Gustave Fayet through more targeted themes, as in the first volume entitled Gustave Fayet en Provence<\/em>. <\/p>\n

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Gustave Fayet, 1865-1925Exhibition catalogAs part of the major exhibition Gustave Fayet un artiste en sa demeure, au phalanst\u00e8re des r\u00eaves presented between 2015 and 2016 at the Mus\u00e9e des Beaux-Arts…<\/p>\n","protected":false},"author":1,"featured_media":10875,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_seopress_titles_title":"Parcours Itin\u00e9rance","_seopress_titles_desc":"Editorial design for the exhibition catalog Gustave Fayet un artiste en sa demeure, Gustave Fayet au phalanst\u00e8re des r\u00eaves.","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"https:\/\/www.asenso.fr\/wp-content\/uploads\/2018\/02\/Une-Fayet.jpg","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"https:\/\/www.asenso.fr\/wp-content\/uploads\/2018\/02\/Une-Fayet.jpg","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"both","_seopress_redirections_param":"","_seopress_redirections_type":301,"_seopress_analysis_target_kw":"","_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","inline_featured_image":false,"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"footnotes":""},"project_category":[1541,1544],"project_tag":[],"class_list":["post-11826","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-art-culture-en","project_category-editorial-design"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.asenso.fr\/en\/wp-json\/wp\/v2\/project\/11826","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.asenso.fr\/en\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/www.asenso.fr\/en\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/www.asenso.fr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.asenso.fr\/en\/wp-json\/wp\/v2\/comments?post=11826"}],"version-history":[{"count":16,"href":"https:\/\/www.asenso.fr\/en\/wp-json\/wp\/v2\/project\/11826\/revisions"}],"predecessor-version":[{"id":17200,"href":"https:\/\/www.asenso.fr\/en\/wp-json\/wp\/v2\/project\/11826\/revisions\/17200"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.asenso.fr\/en\/wp-json\/wp\/v2\/media\/10875"}],"wp:attachment":[{"href":"https:\/\/www.asenso.fr\/en\/wp-json\/wp\/v2\/media?parent=11826"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/www.asenso.fr\/en\/wp-json\/wp\/v2\/project_category?post=11826"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/www.asenso.fr\/en\/wp-json\/wp\/v2\/project_tag?post=11826"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}